Near the middle of the project, there is a line about how the things that are gone (buildings, places, mostly) mean nothing to people who aren't from there. And I wholly disagree with that premise, as if where your born, or even where you eventually choose to live (if and when it's a choice at all) really matters all that much. I've never seen The Pyramids they mean nothing to me. I never crossed through the Wawona Tree Tunnel, a path cut through an ancient sequoia tree in Yosemite National Park in 1881 which led to the 2,000-year-old structure to topple in the 1960s. Guess I can't appreciate it. Guess whomever makes San Fransciso Plays Itself will think I'm an asshole, or worse: a rube. I guess it 'means' nothing, after all. If fact, this idea seems so silly (because it is) that Andersen contradicts these sentiments or at least cops to the "had to be there" falsehood just moments later. This is the problem with a nearly 3-hour work that features a near-constant stream of narration. You're gonna trip up (like stating Woody Allen made movies about the middle class). The trick is not to fall flat on your face, unable to get right yourself and thankfully Andersen doesn't do that.
CHRONOLOGICALLY
⫷ EPISODE 522 - (YOU ARE HERE) - EPISODE 524 ⫸
⫷ EPISODE 522 - (YOU ARE HERE) - EPISODE 524 ⫸
Los Angeles Plays Itself is a video essay by Thom Andersen, finished in 2003, exploring the way Los Angeles has been presented in movies. Consisting almost entirely of clips from other films with narration, the film was not initially released commercially as it was only seen in screenings presented by Andersen, occasional presentations at American Cinematheque and copies distributed via filesharing and other person-to-person methods. In 2014, it was announced that the film would finally be released officially by Cinema Guild. It was released on October 28, 2003.
0 comments:
Post a Comment