I mean, quite literally: the plot for Yesterday was something I have thought about in detail many times over the last decade or so. This is not to say the thought amounted to a film spec or anything of that ilk. It was more of a rhetorical proposition I considered personally. Something along the lines of: if this happened to me, would I be able to recreate and capitalize on/with this "new" music? And that still feels like an interesting concept which, in fact, the film does briefly touch upon. But the wheels come off rather fast. Instead we get Ed Sheeran (who can't act) in a much bigger role than is necessary; Kate McKinnon (who can't reign it) providing unnecessary and out of place comic relief that came off as if she was acting in an entirely different movie; a hamfisted love story; bad/inconsistent intertitle graphic design; an alternative history where John Lennon is an old recluse/fisherman (?) that only further convolutes what little structure this device is still clinging to; etc etc etc.
It was still early afternoon when I left the theater. Much of the day remained. I didn't even get around to the teeth. Why did they make such a big deal out of the bus knocking out his two front teeth?! Was it, like, a British inside joke???
CHRONOLOGICALLY
⫷ EPISODE 214A - (YOU ARE HERE) - EPISODE 215 ⫸
⫷ EPISODE 214A - (YOU ARE HERE) - EPISODE 215 ⫸
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